Artageddon, Arts, Features

From the Archives: Artageddon at the Distillery Gallery

feature_artageddon

In art, as in love, things can get a bit messy when the Internet is involved.

In the old days of aesthetic courtship, the rules were simple: artist toils in obscurity; gallery discovers artist; the Whitney calls and they fall in love at the Empire State Building. Gallerists were the gatekeepers to the art world, and finding an audience meant first finding a curator who thought you had child-bearing hips.

But with a new breed of artists publicizing, exhibiting and selling their work online and elsewhere, the commercial gallery system is set for a jarring realignment, says curator Scott Chasse:

As the tumultuous world of commercial galleries continues to scramble for readjustment to today’s
sales-savy artists, alternative methods of display are at the forefront of a battle, a battle which The
Distillery Gallery* has deemed: “Artageddon.” … Embracing alternative venues, social networks, street campaigns, and other creative outlets for their work, these artists are helping to shape the future of art commerce.

The show, which was on display in September, featured work from 20 artists without gallery representation, including many of the “street” artists who contributed to the Paint It Now exhibition last fall.

 


 

Jarrett Golz

Jarrett Golz

Daniel Benayun

Daniel Benayun

Michael Dacey

Michael Dacey

Corey Corcoran

Corey Corcoran

Morgan Thomas

Morgan Thomas

Ryan Lombardi

Ryan Lombardi

Kenji Nakayama

Kenji Nakayama

Josh Falk

Josh Falk

Scott Chasse

Scott Chasse

Thomas Buildmore

Thomas Buildmore

Nick Z

Nick Z

Robert daVies

Robert daVies

Judith Uehling

Judith Uehling

Sheryl Pace

Sheryl Pace

Vanessa Irzyk

Vanessa Irzyk

Dana Woulfe

Dana Woulfe


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